斑竹注意休息啊！答辩加油

顶下,来看看课代表

请教版主一个问题( P  W  w% J8 N5 G+ h
为什莫听写的循序是乱的，没有挨着一个类型或是从1到后面的循序？？
( _/ s( x/ R; ]% w: x! @难道前面写的是相对重点？？

  加油坚持听写噢！！

引用:

原帖由 达达摩摩 于 2008-5-27 15:15 发表 " V, o3 l! _1 C
请教版主一个问题; |/ L/ h7 s% H3 N( c( z( e. M5 n# u
为什莫听写的循序是乱的，没有挨着一个类型或是从1到后面的循序？？: N% \# Z. j* t# M
难道前面写的是相对重点？？

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+ {! ]* c; x: O  l6 Q一开始没经验，每个类别听了几篇就换了别的类别。
) a; a3 Z7 V( }" s后来听历史类，历史里可以分为很多小类型，比如人物、建筑等，就集中把每个小类别听完了再听下一个分类。
1 p/ ]* K* E) j) G3 H+ u再后面的大类，比如business、地球科学等的文章比较少，就按照顺序听了。$ s- U8 |  }. n
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- r" e$ t0 G4 i5月27日
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(89) 场景（上）历史 第三篇（音乐jazz）---$$$% n5 ^+ o8 V! P/ W
W: So, one of the things that I really have in trouble understanding is how jazz music developed to be so different from many other kinds of music. My class notes are terrible. ! n0 P# c, R4 Z3 G, X4 S
M: Well what can’t you understand from your notes? 8 I6 C) x! y. J. w0 b9 `' [: l6 B" m
W: Uh... One thing is I (copy down the musical training) from the blackboard. What did it mean by that? / I( F2 {% x% w/ y4 w& l
M: Well most people who become professional musicians to have some kind of formal training in music but the first people who play jazz music had almost none.
% X( ~% ~/ H: J/ ZW: Ok, but so what? Doesn’t it just mean that they weren’t very good <musicians音乐家>?
  ?# N) Y* M) \$ w( uM: Well, that’s not that the early jazz musicians weren’t good. it’s they that play their instrument differently. Let’s say you are receiving formal instruction in the (trumpet小号). First you would learn the right way to place your mouth and the right way to use your fingers and right way to blow air and then you will practice single notes and different (combination of notes until you could do those correctly) and only after that which your teacher give you a piece of music to play.
7 \% f9 P# z7 n# WW: And the early jazz musician didn’t learn to play this way?
6 I* q9 P5 [* R3 cM: No, the first people who play jazz music learn to play their instrument by actually trying to play a song they like! They were (humanity and tried) to play themselves on their instruments. Because they were mostly teaching themselves, they began to express themselves in ways that formally traditionally trained musician didn’t. In traditional instruction there’s one correct way to play something and everyone who plays try to make the correct sound. But in jazz…
4 Q* f! ?: `5 Z# z" jW: In jazz music, there isn’t one right way to play. In fact, individual musicians are supposed to interpret the music in their own style. So you are saying that this aspect of jazz developed because the first people who play jazz didn’t have any formal music training?
7 N! }" a) O5 ?' g* j& G3 eM: (Well that’s part of it) but there is more. What else do you have in your notes? * F( ~# e+ P1 Q8 q( d

1 C# L# r( p  R4 p3 b7 w, q+ {( ^[ 本帖最后由 穗棉布族 于 2008-5-31 13:30 编辑 ]

历史第三篇很多单词不会啊~ 什么芦苇，稻草，谷仓，thatch，横梁，椽子什么的！ 这些怎么听啊？？听着就乱了~ 很崩溃啊！老师，这样的话只能先把这些词忽略了吧？9 H% Q+ P2 e( R# B6 ^0 F
困惑ing！

引用:

原帖由 qiwen 于 2008-5-28 22:00 发表 ; k# q' F* @7 w2 b7 G; d$ V
历史第三篇很多单词不会啊~ 什么芦苇，稻草，谷仓，thatch，横梁，椽子什么的！ 这些怎么听啊？？听着就乱了~ 很崩溃啊！老师，这样的话只能先把这些词忽略了吧？, e. \$ B( x% K& t" C; f0 _# g
困惑ing！

" R! f. M+ l6 Z# Z  phouse总结的分类词汇，好好准备+ F- ^( Q5 i% Q+ }9 g/ ^3 h
http://www.xiaoma.com/bbs/thread-12570-1-1.html

5月28日
+ N. e( }9 t# d, H! n$ u11:48---12:39, \7 x6 L1 ^% W' e1 A7 ^* b
(90) 场景（上）历史 第四篇（音乐jazz）---$$$半$ ]5 f3 w3 g- h5 e4 s/ g6 u
To continue our study of jazz, today we will focus on the blues and listen to some recordings by Bessie Smith who is considered by many to be the greatest of all jazz singers. The blues developed in the southern United States from the music of black people who were brought from Africa and forced to work as slaves on southern (plantations移民，殖民).3 x, f5 W! p" p  U- \
（The earliest form of the blues were work songs）  n* Z! m& m  G! @. [
and field howlers that was musical form of communication among slaves. The name "blues" comes from the (loneliness) and sorrow typically expressed in the song (lyrics). The blues started out as (strictly vocal) but over time musicians began to accompany blues singers. Jazz greats like Louis Armstrong and Francis Andersen accompanied Bessie Smith in her recordings. The example of blues we will hear today is the reissue of some of (Bessie Smith's classical) recordings. These songs are from the late 1920's when she was at the peak of her career. It's no wonder she was known as the emperor of the blues. She made 160 recordings and was also a sort after live performer in New York, Boston, and Chicago as well as the larger cities in the south. Know her rich powerful contract her voice, in fact, in live performances she refused to use microphone. Bessie Smith's songs typified the earthiness and realism of the blues.
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$ e: _" L# p9 \* l* D. m" H" C14:43---15:488 O- d0 _: [. Q3 M: `1 G9 |; Y
(91) 场景（上）历史 第五篇（音乐）---$$
3 S7 Y, h0 [( a, Z2 |Good morning, today we’re going to learn a little more about that great musical tradition called “the blues.” And in just a minute, we’ll get to hear the voice of a great blues performer, one of mile time famous singers and that’s Bessie Smith. First of all, let me tell you a little about her, Bessie Smith grew up in the south in <Tennessee田纳西州>, and while she was still a teenager, she started (touring the country with other black) performers, and making a name for herself. By 1923, she was making records for a major recording studio and selling hundreds of thousands of copies, and soon, she was singing at sold-out performances at theaters in city after city with huge (overflow) crowds outside, often filling with the street and blocking the traffic. It was really something. A couple of years later, she and the (Great Louis Armstrong) made an unforgettable recording of (the St. Louis Blues). And a few years after that, St. Louis blues was also the name of Bessie Smith’s only movie, one of the very early talking pictures. Try to see it some time if you can. From then, up until her death, Bessie Smith kept on writing and recording songs and singing the blues in concerts all over the country, all together she made 160 records. We are going to play one of them now and as we do, please listen to the (passion) of that wonderful deep voice of hers. I think you’ll be able to understand why Louis Armstrong said Bessie Smith: she had music in her soul.
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6 e, f: z' [1 b+ Q/ s[ 本帖最后由 穗棉布族 于 2008-5-31 13:42 编辑 ]

对啊！遗憾，咋不给咱？七少呐？找了一早上，没打招呼就撤了！

对啊！遗憾，咋不给咱？七少呐？找了一早上，没打招呼就撤了！