引用:

原帖由 素不相适 于 2008-5-30 13:34 发表 : Q  r0 Y& \! M# a6 X/ [
是这样的，我家在大连。我第一次报着急看没有就报北京的了，结果现在借得太不方便了，那面人生地不熟，还赶上奥运，就像转，早上看沈阳师范增考点了9月21，28号，我在那边上学都比较熟。你说靠普不？我早上打电话了说 ...

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* q; l) f5 I8 q哇哇哇哇～　　我也是大连的我也是大连的～　姐姐是那个大学的？太幸福；吖～　1 S: A* k. f2 P- t
竟然也可以这样遇到大连的！！！6 \: m- c7 ~' n8 `8 {0 u$ V$ n
ｃｈｅｅｒ　ｕｐ！

引用:

原帖由 流浪北国 于 2008-5-30 23:21 发表 # |9 ^/ T  I& R4 R' n0 f' R" F
lz好久没听写了吧

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(96) 场景（上）历史 第十篇（艺术史）---$$' Y. H/ \' K' g: V  _/ J% `
W: I was talking before the (break about funding) in art in the Unite States about where the money comes from. I think some of you probably have questions. Yes, Tom.
; U) U! `0 @# F: V7 {M: You said that during the depression the government provide relief work to a lot of artists, just what sort of works did they do?
3 O9 I( n' s0 Z; K+ b- |) q& UW: It depended on the kind of artists you talking about. A lot of painters did work for government buildings, murals, and city (halls) or other public buildings for example. <Sculptors> did work to put in the public park, that sort of things. 6 S7 b5 `1 |5 g$ f$ d. `
M: Didn't people get upset about the government spending so much money on art? ; ~* `3 q! [) W& C9 D: w
W: There were some criticisms, sure. Many people consider the program (wasteful). They thought that creating public art was not real work like paving a road or putting up a building. But the government was concerned with getting as many people employed as possible
8 `% L& B8 Y* S( b. [M: Could I ask about one more thing? I expected art from 1930's to be abstract, but what you show in the slides was pretty realistic. ! j+ v2 e" x6 E0 v* I2 U) o
W: You maybe a little mixed up there. Abstract Expressionism-that’s the main of American abstract school is usually associated with 1950.
: W0 n( N/ a5 |M: Was there a (dominant突出的 artistic) style that these depression era artists used?' i, h: K; g. s  n( o
W: Let's look at a few more slides. Maybe that will show you. Also there was an exhibition in Washington a few years ago about this art, so I put a catalog from the show on reserve in the library. If any of you want to see more examples of this work. Go over and take a look.
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6 _5 I( V8 f3 K(97) 场景（上）历史 第十一篇（音乐jazz）---$$半+ Q( b; W7 @& Z- ^/ u
W: I'm reading this book about jazz for that course on Popular Culture I'm taking. Listen to these quotes by Louis Armstrong, when someone asked him what jazz music was, he said, "If you (gotta ask), you’ll never know." What do you think about that?
; V. W  p( v' f4 [& qM: Oh, I don't think jazz is that (mysterious神秘的，不可思议的). I mean it’s just another kind of music, seems to me like a person not be able to study it, to break down into pieces. I took the classic music appreciation音乐鉴赏 course last semester, and the professor taught us the kinds of things to listen for, to understand the music. I don't see why I couldn't do the same thing for jazz as I learn to do for classic music.
2 K4 b" O: c+ y9 Q7 VW: Well, for what the book said, a lot of people try to (apply the rules of the western musical theory) to jazz music, like the rule he probably learned, that you need to appreciate jazz according to its own set of rules. Analyzing jazz by the same rules as classic music would be like using the rule for analyzing a short story to analyze a poem. - b! Q) p$ _1 o& T2 P
M: Oh, come on. It's obvious that the poem has a different structures from the short story, but just how is jazz so different?
* e) `9 n" F  SW: OK, well one example is the beat. In European music, the ground beat is built into the melody the main sound line; you can (tap your foot to it). But in jazz, the ground beat is deliberately avoided in the melody, the beat has to be established by the whole (separated section of instruments) like the (bass or drum). # w2 {/ m, k# A- F5 B, o( c3 B
M: All right, I’ll give you that. Really it's a pretty important difference, but is that all? 8 J5 Q1 S$ D) a, d$ A& ?% c
W: No, there are other differences. Like, traditionally, classic music is based on certain type music scales: major and minor. Fortunately, all of this music is built around differences and change these types of scales, but a lot of jazz is based on the blues, and blues scale isn't major or minor.
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& F9 A8 |1 K- E(98) 场景（上）历史 第十二篇（艺术史painting）---$$$半  R8 j1 U7 j6 v( n7 D* g* ], @6 F
I’d like to move on now to (still life) painting in the United States. Now the earliest American still lives were modeled on seventeenth century (Dutch still life) paintings, the images of which often (symbolize象征，代表) the home and the growing <prosperity兴旺> of the Dutch merchants. So in these early American paintings, you might see, for example, a simple table top (display of food or other inanimate没精打采的) objects. Now the still lives of the nineteenth century reveal a great deal about the time in which the artist lives. For example, in the first half of the nineteenth century, many Americans were prosperous, and shopping and accumulating things were major pastimes. So in these paintings, the consumer oriented in American society is conveyed true display of goods that suggested the luxury and social status. Well, this also suggested with representation of plentiful food, fragile flowers名贵的花 and other beautiful objects of natural world. Then, after the civil war, in approximately the mid nineteenth century, the mood of the country changed. Likewise, the (mood) of the paintings changed. For example, the artists might apply the paintings roughly to depict the group of (battered打扁了的) old things that (symbolize difficult times) and the disappearance of good days. So let’s look at some Flight’s paintings from this period and see if you can determine when the paintings were created.) n5 s( `  D: t4 N
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[ 本帖最后由 穗棉布族 于 2008-5-31 14:13 编辑 ]

哇,一下补了三篇,好样的!

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2 h) r, }* c# `; U# N5 k; X7 x(99) 场景（上）历史 第十三篇（历史）---$$$& h$ [/ w. l$ I
There is nothing you can do to escape history. Perhaps you don’t realize it but you are always surrounded by things that (connect you to the past). Take for an example something as simple as (bobby pin发卡) that people sometimes wear in their hair. It goes back 10,000 years. Ancient graves in Asia (contain hairpins发卡made of bone and iron), silver and gold. In function, they are little different from what we use today. (Cleopatra克楼巴特拉女王) is set to prefer hairpins of (ivory象牙) that was decorated with jewels. Roman hairpins were sometimes hollow inside making them better to carry poison in. Now the modern bobby pin owes its name and shape to the 17th century French court where wigs were in fashion. They made wearing a wig easier as they were used to pin the people’s real hair very close to the head. That was called bobbed hair. The U shaped pin that (facilitated使容易，使顺当) these was called a bobbing with pin which became bobby pin in England 18th century. Then in the 19th century, the bobby pins that are still in use today, the ones made of (steel wire钢丝) began to be mass produced.1 l' E; F% {% b) ]
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2 r$ I+ S2 y# E+ j$ l# o) d(100) 场景（上）历史 第十四篇（历史）---$$; [+ C" P, T7 W# L' P9 p' R
Let me tell you about an exhibit of the university museum that you might want to see. There are showing a collection of coins and paper money used in North America in the last two hundred years. The exhibit also includes historic facts about the various forms of (currency通货). One interesting item I saw there was a currency note from Canada ---a piece of paper money (worth only 25 cents). I've never seen a bill worth so little. The Canadian government (issued the notes) in 1870 as a temporary solution to a shortage of coins. The plan was to use them for only a few years until enough coins could be made. The people found the bills so useful that the Canadian government (printed) more in 1900 and 1923. Most people simply like the bills because they were easy to hold in a purse or a pocket or to send through the mail. They are only about half of our size as our current bills. But what's unusual is the way that soldiers used them. They would (stick them down in their boots to prevent the boots from rubbing against their skin). You could image how irritated your shins might get if your boots' had to rubber against them all day. So the durable paper really helped. As a result, they became known as(shin plasters胫骨膏药). The bank of Canada finally recalled the shin plasters in 1935 and ironically those that were not destroyed are now valuable collector’s items like the one on display at the museum.
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你是到一百篇暂封吗？

剩下的时间，楼主还是把所有听写过的反复跟读吧

恭祝圆满哈哈

恭喜坚持下来了

恭喜恭喜！！！

都是哪里下的呢？