昨天由于专业方面的事情比较多,没有做听写,心中竟然充满罪恶感。 看来解决听写带来的痛苦唯一办法就是继续听写。
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+ O, ?; b4 } v: \谢谢小马哥提醒,添加整理了场景单词,每日复习。, w8 J7 T9 S! ^0 G
旧托福听力训练第三天的后三篇 用时3个半小时(加跟读) 个人认为 第二篇好难! 可能是不熟悉的单词太多。
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% j8 Q; A; f$ j7 ZI'm sure almost every one of you looked at your watch or at a clock before you came to class today. Watches and clocks seem as much part of our life as breathing or eating. And yet did you know that watches and clocks were scarce in the United States until the 1850s. In the late 1700s, people didn't know the exact time unless they were near a clock. Those delightful clocks in the squares of European towns were built for the public. After all, most citizens simply couldn't afford a personal timepiece. Well into the 1800s in Europe and United States, the main purpose of a watch, which by the way was off and on a gold chain, was to show others how wealthy you were. The word "wrist watch" didn't even enter the English language until nearly 1900. By then the rapid pace of the industrialization in the United States meant that measuring time had become essential. How could the factory worker get to work on time unless he or she knew exactly what time it was? Since the efficiency was now measured by how fast the job was done, everyone was interested in time. And since industrialization made possible the manufacture of large quantities of goods, watches became fairly inexpensive. Furthermore electric lights kept factories going around the clock. Being “on time” had entered the language and life of every citizen.
1 e }( j# g2 {* t' Cscarce: [ skɛəs ] a. 缺乏的,不足的,稀少的,罕见的
: j9 D& R; H/ H9 X+ v$ idelightful: [ di'laitful ] a. 令人愉快的,可喜的
Q$ {; V$ B* b0 d5 ]/ uchain: [ tʃein ] n. 链,连锁,束缚v. 用铁练锁住,束缚,囚禁7 g0 m9 ^ N, w2 C
manufacture: [ .mænju'fæktʃə ] n. 产品,制造,制造业v. 制造vt. 制造,加工
, v# O1 b9 ^; W$ L9 U3 E此场景中需要留意的单词:citizen inexpensive industrialization
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This room is devoted to electric fish. The eel in the tank behind me can produce a strong jolt of electricity to stun its prey. But most of the fish in here produce only weak electrical impulses that are useful for navigating, locating food and even for communicating. The knife fish is a good example. This fish navigates using tiny receptors in the skin that are sensitive to electrical impulses. The knife fish produces an electrical signal and the receptors in its skin let it know when the signal is distorted by a tree root or some other obstacle so it can go around it. Fish also use the ability to produce and detect electrical impulses to communicate. They can tell each other what species they belong to, how big they are , and whether they are male or female. We have a tank here that 's specially equipped to convert the inaudible signals that the fish produce into sounds you can hear when you put on these headphones. I urge you all to listen in when I'm done speaking. Now have a look at the electric rays. Rays are especially interesting to medical researchers because of the organs they use to produce electricity. These organs contain a chemical that carries signals from one nerve ending to the next. Not only in rays but also in people. By studying these organs scientists hope to learn more about diseases that interrupt the transmission of impulses from one nerve to another.小马过河: b1 R8 n6 o% _' _9 l. Y8 E# @; u2 r" ]* s. s6 G3 s# L
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) c& n, f2 I# i( ^tank: [ tæŋk ] n. 水槽,池塘,战车v. 储于槽中9 a: Q; r/ y( S+ ^+ B/ s
stun: [ stʌn ] v. 使晕倒,使惊吓' a3 E7 X" B5 o3 S9 w
navigation: [ .nævi'geiʃən ] n. 航行,航海
( Q& f N2 R' k9 M+ I" G& \* Mreceptor: [ ri'septə ] n. 受容器,感觉器官,摄取体
- c6 F3 r* ~% |5 Z4 z3 m4 ?sensitive: [ 'sensitiv ] a. 敏感的,仪器灵敏的,易受伤害的,感光的-新托福专业备考社区2 N( p* r2 O4 T! t- G1 j
& {- O7 a% m) bobstacle: [ 'ɔbstəkl ] n. 障碍: A P% x+ U+ v* Y4 U7 P! Y: z, y
equipped: v. 装备,整装,预备vbl. 装备,整装,预备5 S- G$ ]4 H/ \3 p, b+ d
inaudible: [ in'ɔ:dəbl ] a. 听不见的
9 h& Z) k# x6 k; E+ s1 K6 O1 Linterrupt: [ .intə'rʌpt ] n. 中断v. 打断,妨碍,插嘴
; N" A; R3 o D( itransmission: [ trænz'miʃən ] n. 传输,传送,变速器) h6 c$ W5 _9 d) m
场景单词:prey electrical scientists male researcher8 B1 a! x% M( M3 Q0 }* I- {, a
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So why did what is now called modern dance begin in the United States? To begin to answer this question, I'll need to back track a little bit and talk about classical ballet. By the late 1800s, ballet had lost a lot of its popularity. Most of the ballet dancers who performed in the United States were brought over from Europe. They performed using the rigid techniques that'd been passed down through the centuries. Audiences and dancers in the United States were eager for their own contemporary dance form and so around 1900 dancers created one. So how was this modern dance so different from classical ballet? Most notably, it wasn't carefully choreographed. Instead the dance depended on the improvisation and free personal expression of the dancers. Music and scenery were of little importance to the modern dance. And lightness of movement wasn't important either. In fact modern dancers made no attempt at all to conceal the effort involved in the dance step. But even if improvisation appeals to audiences, many dance critics were less enthusiastic about the performances. They questioned the artistic integrity of dancers who were not professionally trained and the artistic value of works that had no formal structure. Loi Fore, after performing fire dance was described as doing little more than turning around and around like an eggbeater. Yet the free personal expression of the pioneer dancers is the basis of the controlled freedom of modern dance today.
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( k6 ^* [: i. ]3 v& abrought over: v. 转变(使...从海外来)
, C; k" g! f2 x- R/ c: j# dcontemporary: [ kən'tempərəri ] n. 同时代的人a. 同时代的,同时,属于同一时期的
0 M2 x# l' u3 J- n8 Z7 {improvisation: [ .imprəvai'zeiʃən ] n. 即兴而作,即席演奏,即席创作
5 `3 ~, F* Q* a, h) G3 ], c$ |expression: [ iks'preʃən ] n. 表达,表示,表现,表情,措辞,词句
% t' b1 ?- x' [! a4 y4 {5 hscenery: [ 'si:nəri ] n. 风景
/ F; t$ L7 E- p' R I* }conceal: [ kən'si:l ] v. 隐藏
, G. N; ?: P9 W1 Q) f' \2 U5 venthusiastic: [ in.θju:zi'æstik ] a. 热情的,热心的
( x" ]; B- e' U8 }) m; e; E/ {$ sintegrity: [ in'tegriti ] n. 诚实,正直,完整,完善
: D& b1 l/ C9 y* v+ A! m, [pioneer: [ .paiə'niə ] n. 先锋,拓荒者,开劈者v. 提倡,作先驱,开劈, D) K; m) r$ G/ |% O
场景单词:technique audiences expression professionally( e8 z; D& `- Q" w8 p! R
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[ 本帖最后由 不安yu室 于 2008-4-17 15:04 编辑 ]