Sometimesa drawing is the final execution of the art. Picasso produced hundredsof drawings in, well, every conceivable medium, but especially inpencil and crayon. I find it very interesting that Picasso did so muchof this kind of work . . . drawing, I mean, in his last years. Somecritics have argued that he was just laughing at the art world, whichwas willing to pay outrageous sums for anything with his name on it,and clearly, a drawing can be executed in a short period of time. Butothers, other critics, they feel as I do that Picasso was drawingbecause it was so basic, and because it was so and spontaneousso muchfun. And also, think about how difficult it really is to produce aquick drawing with a few lines and, uh, no opportunity to . . . torecreate the original, either by painting it out or remodeling the clayor changing the building materials, or . . . or any of the othermethods for revision of a finished artistic work that artists have attheir disposal. So,what I’m saying is that drawing when it’s elevated to a finished piece,it must be done with confidence and it must show a high degree ofcreativity and mastery of the art form.
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Ina way, it harkens back to the beginnings of art itself, when someunknown artist must have stuck a finger in the earth to draw an imageor . . . maybe he picked up a stone and made a drawing on the wall of acave.
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这样感觉就比较明了一些，主要是突出作者的观点：基本，自然，有趣
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从某种成都上说，如果我们回头刚开始的时候，艺术本身，当一些不知名的艺术家用手指在泥土上画画，或者直接拿起一块石头在洞穴中的墙上作画 （体现出的那种基本，自然，有趣，还有creativity)1 M. h6 E8 g6 D9 U
